港联配资家已不再是单一功能的栖居场所

随着现代居住理念的持续演进，家已不再是单一功能的栖居场所，而更像是一个承载个性、容纳趣味、表达自我的场域。在家中，人们可以自由投射自己的审美意识，让生活成为日常美学的实践地。

本案位于扬州，是纸水设计主理人自住的住宅项目。居住者兼具设计师身份，使得空间设计打破了业主与设计师之间的边界，更像是一场深度共创，实验性与实用性并重的居所由此诞生。

设计之初，业主便表达了希望拥有一个更开放、更具变化潜力的居住场域。原本规整的四房格局被彻底重构，原阳台与相邻卧室打通，与客厅合并，公共空间被重新拉伸、释放，成为日常生活、兴趣实践与社交互动的容器。这种改动不只是户型调整，更是一种生活哲学的具象表达。

At the beginning of the design, the owner expressed their desire for a more open and adaptable residential area. The originally orderly four bedroom layout has been completely reconstructed, with the original balcony connected to the adjacent bedroom and merged with the living room. The public space has been stretched and released again, becoming a container for daily life, interest practice, and social interaction. This kind of change is not just a layout adjustment, but also a concrete expression of life philosophy.

整体空间基调温润而沉静，选用了介于胡桃木与柚木之间的木色，既拥有木质的沉稳，又不过于厚重，呈现出克制且有质感的视觉氛围。蓝色软装元素被精准植入，大面积的深蓝沙发稳稳占据了客厅的视觉焦点，呼应居住者内敛、安静的生活节奏。

The overall spatial tone is warm and calm, using a wood color between walnut and teak, which not only has the stability of wood, but also is not too heavy, presenting a restrained and textured visual atmosphere. The blue soft decoration elements are precisely implanted, and the large area of deep blue sofa steadily occupies the visual focus of the living room, echoing the introverted and quiet pace of life of the residents.

房间并未设置主灯，而是通过大面积落地窗引入自然光，辅以多重点位的照明装置——如吊灯、台灯、落地灯等——在不同时间段形成光影层次。这种非集中式的照明方式，增强了空间的灵活度和氛围感，使居住者能依据自身节奏调整空间情绪。

The room is not equipped with a main light, but introduces natural light through a large area of french window, supplemented by multiple key lighting devices - such as chandeliers, desk lamps, French lamps, etc. - to form light and shadow levels at different times. This decentralized lighting method enhances the flexibility and atmosphere of the space, allowing residents to adjust their mood according to their own rhythm.

空间并未被定义为某一固定风格。现代极简、新中式、以及多元的家居单品彼此呼应，自然而然地形成了一种去风格化的表达。每一件家具、每一个角落都嵌入居住者的审美观与生活习惯，构成一个既个性鲜明又高度包容的生活系统。

Space is not defined as a fixed style. Modern minimalism, new Chinese style, and diverse home items complement each other, naturally forming a de stylized expression. Every piece of furniture and every corner is embedded with the aesthetic views and living habits of the residents, forming a distinctive and highly inclusive living system.

在设计师看来，家不是物品的堆砌，也不是风格的拼贴，而是去繁取简之后对“必要”与“适合”的选择。这种简洁感不等同于匮乏，而是对当代居住美学的一种回归提醒。在物质丰富的时代，唯有有意识地取舍与沉淀，才能真正营造出令人安心而松弛的栖息空间。

In the eyes of designers, home is not a pile of items or a collage of styles, but a choice between "necessary" and "suitable" after simplifying and simplifying. This sense of simplicity is not equivalent to scarcity, but rather a return reminder to contemporary residential aesthetics. In the era of material abundance, only by consciously choosing and settling can we truly create a comfortable and relaxing living space.